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Interview with Antoinette Foque

Monday, September 11, 2023

Posted by L. Peat O'Neil in Artists in Paris, Bookstores, Feminist Leaders, France Travel, Paris, Shopping in Paris, Women in Paris, Writers in France

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Antoinette Foque, art, Art Galleries Paris, Editions des Femmes, Feminist publishers, Women's Bookstores

My interview with Antoinette Fouque (psychoanalyst, publisher and feminist activist) occurred thirty four years ago in November, 1989 at her office-residence on the rue du Bac, near Boulevard St. Germain. She was a leading modern feminist who launched women’s activism under the banner MLF  Movement de Liberation des Femmes in France. Madame Fouque also founded the first feminist publishing company in Europe, Éditions des Femmes.

She opened our conversation saying that it was an intensely interesting time in social psychoanalysis. “Tres indispensible,” she said, “for women to push for the rights of all women.”  We discussed the legal decision in France concerning a prohibition on wearing the veil associated with traditional Islamic clothing. “Whether it is racism or sexism, basically it is against women,” she said.

On the day I visited,  she had received word of winning a FNAC prize for publishing the work of Clarice Lispector with Virago. A very prestigious award.

Her publishing house is known by feminist publishers around the world. Shortly after Antoinette Fouque founded  Editions des Femmes in 1972,  other French publishers created product lines focused on women’s and feminist issues.  It was an era when new editorial positions with leadership positions were available to female editors.  By establishing Editions des Femmes, Madame Foque was part of a quiet and steady movement to expand options in publishing for women.  More than fifty later, in 2023, there are feminist and woman-focussed publishers in many countries.

Madame Fouque also started a books on tape collection during the 1980s, which at one time accounted  for one-third of Editions des Femmes business.  The recorded books featured readings done by major French actors.

Antoinette Fouque’s house is a pale grey and white symphony accented with copious displays of fresh flowers.  She wears grey slacks and a draped shirt with a topper in white silk.  Glasses evoke Sylvia Beach, the key 1900’s publisher of radically experimental literature.  A trio of excited lap dogs wreck havoc with the silence that otherwise bathes this house.  Her desk faces windows and flowers set in the wide sill.  Glass top bookcases behind.  Couch and chair in white leather.  The afternoon light goes dim as we speak.  She returns again and again to drive home her raison d’etre, the rights of women must be secured first.

“The first requirement is rights and liberties of women around the world.”

Kali, an Indian feminist press, is heavily influenced by government agenda, she notes. Éditions des Femmes remains independent. For the future, she sees an emphasis on the psychological collection, her personal project.

Earlier that day, I had visited the Librairie des Femmes store in Paris at 35 rue Jacob. The design esthetic was spare and bright, even back in 1989. White walls, indirect lighting, uncluttered bookshelves alternated with racks holding greeting cards and audio books.  One corner of the store was reserved for art exhibitions.

My quest was to interest her in helping me find a publisher for an English translation of the diary of  the 19th c. midwife and radical socialist, Suzanne Voilquin. The book details her years as a travelling midwife in Russia during the 1840s.  It was published in French by Edition des Femmes in 1976. But after talking to Antoinette Fouque, it seemed that this diary-memoir about dead feminists was less than crucial in contrast with the monumental political justice and economic equity gaps confronting women around the globe.

I try to show her that the midwife’s diary is relevant to women’s health and security in remote areas even today.  Voilquin was a trained midwife and worked in North Africa from 1834 to 1836 and in Russia during the 1840s. She reports on cholera, plagues and social conflicts. The plight of women with sick children and no financial support then is just as terrible now.

Mme. Fouque suggested inviting a feminist physician to write the introduction to the English version of Suzanne Voilquin’s memoirs. She mentioned Liza Alther, who lives in Vermont, who is connected to the Boston Women’s Health Collective

My tongue stumbling and balking like an overworked mule during the French conversation that touched complex subjects, there was little more to say.  I thanked her for the nearly an hour interview and felt out of step, wondering if my ideas came across. Wondering if my concerns were too harnessed to the past when there is so much to be done in the present.

Throughout her professional life, Antoinette Fouque was an activist focussed on the present politicized feminist era. I was interested in honoring forgotten feminist pioneers, by writing about the achievements of French socialists and feminists in the 1800s.

The Saint-Simonian socialist movement to which Suzanne Voilquin belonged, was active in France and other industrial areas of Europe from about 1830 to 1865. The Paris members had founded and produced women’s newspapers, created classrooms and schools for working-class girls, taught hygiene and pre-natal care to women in disadvantaged communities, and mobilized groups of members to provide medical aid across North Africa. They trained Egyptian and Berber women to be midwives. The principal male cadre of the organization traveled to the Holy Land to search for a female Messiah and planted themselves in Egypt to start the routing for the Suez Canal. Indeed, the midwife’s diary translation project was a look backwards.  I set it aside.  Antoinette Fouque died February 20, 2014.

Resources:

Espace des Femmes events – https://www.espace-des-femmes.fr/

Suzanne Voilquin’s image and book titles are included in her Wikipedia biography.

Footsteps of the Artists: Mary Blume Observes

Thursday, November 1, 2012

Posted by L. Peat O'Neil in Artist's Studios, Artists in Paris, Nightclubs and bars in Paris, Paris, Restaurants in Paris, Shopping in Paris

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artist cafes, beatniks, bohemia, cafe-life, design, feminists, people-watching, poets, Renoir, walk in Paris

Paris Travel notes from:  A French Affair by Mary Blume

When I read this charming book about living in France years ago, I scribbled a page of notes on places and people covered in her book that I’d like to know more about.  Though Blume was a Paris-based correspondent a while ago,  the subjects are timeless. I found contemporary information online for all the topics in my notes.

http://www.amazon.ca/French-Affair-Mary-Blume/dp/0452282039

A French Affair by Mary Blume

Down and Out in Paris?

Soupe Populaire on Rue Clément, near Mabillon metro, is a  cafeteria for the poor,  the homeless, vagabonds, nomads and those who can make a small donation. 

Places to Go

A vineyard still exists in Montmartre at Clos Montmartre.  And there are other wine makers growing the grapes in the city for micro production.  The wine  sold at Cafe Mélac, 42 Rue León Frot comes from grapes produced by vines embracing the bistro.   Jacques Mélac is the proprietor who makes Paris-grown wine with the “Château-Charonne” label.

La Balajo – Founded in 1936, it was once a bal-musette / apache bar, then a nighclub where Edith Piaf sang.  Then it became a disco at  9,  rue de Lappe near Bastille.

Paris Shopping Tips

* Dehillerin for the best selection of kitchen utensils.

* Madeleine Gely for umbrellas, Blvd. St. Germain.  Now owned by a different family than the founder, but dedicated to the same principles of quality and service.

* Tang Brothers, in 7 locations, are comprehensive, immense Asian supermarkets.

Some Parisian Creatives

Classic Vionnet bias cut draped dress.

Classic Vionnet bias cut draped dress.

Mme. Madeleine Vionnet invented the bias cut clothing trend in the 1920s, freeing women from corsets and constriction. Her fashion design atelier began on rue de Rivoli in 1912.  She moved the company Vionnet to ave. Montaigne later. During the 1930s, she dressed Dietrich, Garbo and Hepburn. Several declines and revivals followed, the most recent in 2009.

Thérèse Bonney was an American photographer who was an

Thérèse Bonney, American photo-journalist during WWII in France.

Thérèse Bonney, American photo-journalist during WWII in France.

active photo-journalist during World War II and lived in Paris until her death in 1978.  She documented the impact of war on children and women, sneaking into the countryside to report the horror of war.  Bonney said: “I go forth alone, try to get the truth and then bring it back and try to make others face it and do something about it.”

Painter Auguste Renoir is well known, but his model Jeanne Samary is not so famous.

Jeanne Samary, actress and artist's model. Portrait by Félix Nadar, 1877.

Jeanne Samary, actress and artist’s model. Portrait by Félix Nadar, 1877.

He painted her often between 1877-1880 while she sought publicity to advance her acting career.  A decade later, Renoir married Aline Victorine Charigot in 1890, with whom he had already had one child prior to Jean, who was born in a stone house in Montmartre, near Sacre-Coeur Basilica, which wasn’t yet completed in 1894.  Jean Renoir, the son, directed films and for a long time lived on a hidden, tree lined street in Pigalle against the blackened remains of wall between the old boundaries of Paris and the open hunting grounds of Montmartre. He died in Los Angeles in 1979.

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